Wishing everyone a Happy Valmiki Jayanti! May the teachings and philosophies of Valmiki enlighten our lives and guide us to a better tomorrow.
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My wedding was in June, 2020 just after quarantine. Every woman does want to have a baby and lives with passion of beacoming mom. So did I. I had to wait almost 6 months to get pregnant. When I appeared to know that I was pregnant I was over the moon. I can't say I had really hard time during pregnancy. I was just sensitive to the smells so I couldn't cook meals and nothing more. However, I didn't know how hard days were waiting for me. At the end of May, 2021 I was informed that baby's water was gone and almost non left. We made several chech-ups but the answers were the same. So I had to go to the hospital. My baby was too small to be born but the doctors decided to take it out after five days of treatment otherwise it was really dangerous for me and baby. Because my temperature was getting higher and higher. They took my baby out by caesarean section in 29th week of pregnancy. It was too small that could not breathe itself. My mother prayed for me and baby all the time, my parents did everything they could so that I and my baby would get better and let it live. After a week baby started breathing himself. It was the biggest happiness for the whole family. We were at the hospital for about a month. Then we went home holding my baby in my arms. Thanks God he is now a healthy boy. He can run, jump, say several words, understand everything he hears, play with his dady and he loves his little brother, too.
I have seen in my own experience that the Covid-19 has had a strong impact not only on people's lives, but also on the economy and education. It was the year I started working at the school after just graduating from university. Since I did not have experience of working with school students, I mainly took classes from primary school and less senior classes to teach. It was just my first year of working at the school. I was having my fair share of challenges working with pupils of varying learning abilities. In order to help them, I had to work with pupils who have difficulty in learning for free. When it was the last weeks of the third quarter, which is the longest study quarter in the schools of Uzbekistan, a week-early vacation for all kinds of schooling was announced that people infected with Covid-19 were also detected in the territory of Uzbekistan. The vacation lasted for several weeks, and the prohibition of going out became stronger as the days passed. In such days, I began to think about such questions like "what will happen to school education?" "How to continue studying?" As the most of my school children were small, there was a high possibility that they would forget their knowledge if they were not engaged for a while. When it became clear that the situation would not improve for a long time, it was decided that school education would be continued online, and teachers of each subject prepared and broadcast video lessons on television. In addition, we prepared topic explanations and gave tasks as video lessons and shared them with the students, and checked the tasks they completed all through the Telegram network. The course of the lessons in this form was a convenient environment for students to copy from each other, at the same time to get grades without studying and effort. This could be seen from the fact that many students (of course, not all) did the tasks and exercises in the same way. It was especially noticeable among primary school pupils. However, warning parents about preventing plagiarism could not help much. This was how the last quarter and the 2019-2020 academic year ended, and the students went on summer holiday. On September 19, which was the beginning of the new academic year 2020-2021, students started going to school following the sanitary rules. In the process of learning new themes with students, the fact that pupils could not master the lessons well during online classes had a strong impact on their ability to understand new topics. Because in the textbooks, the themes are always arranged step by step to study, depending on each other. As older students, who had had less difficulty, developed independent learning skills, it caused elementary school children could not understand the new lessons that during quarantine they had not been able to learn the topics in live examples during face-to-face lessons with the teacher. Their lack of understanding led to the fact that they had missed a lot of knowledge without mastering it, and as a result, the students' knowledge decreased. Not having live lessons with schoolchildren, especially elementary students, brought many difficulties and problems to teachers too. Despite the fact that the quarantine is now completely over, teachers are experiencing the difficulties of filling the "void" in the minds of many students. Because the greatest failures of the future will come because of the poor quality of education today. For this reason, the responsibility of successful future forces teachers to eliminate the problems caused by Covid-19.
As a child, I would spend every summer vacation in Beijing. Every morning, I would wake up to my grandparents announcing the arrival of breakfast from the local farmer's market. “妞妞,” they would say softly. “We brought breakfast!” I would wake up every morning to the smell of delicious food and their beaming faces, arms adorned in plastic bags. There would always be tea eggs: Glorious, salty, delicious bombs of goodness encased in a cracked shell with brining liquid nestled comfortably in its crevices. I feel my mouth watering as I envision biting into the tender egg white, browned by a potion of soy sauce and tea leaves, my teeth sinking into the golden sun, the center of this eggy universe. My grandmother's (姥姥) love language was food. I distinctly remember her chasing me with a mantou in hand, calling, “Just one more bite!” She always reminded me to eat more, as I was a picky eater as a child, and at dinner time, my rice bowl would inexplicably refill every time I looked away. I pretended not to notice. It's been eight years since 姥姥 passed. Yesterday, I had tea eggs for breakfast. As I brought one to my mouth, I felt my throat clench up. I feel guilty about enjoying this treat without her. But then I remembered her reminders for me to eat more la, and I know that she would've wanted me to eat it. I swallowed the egg with difficulty as tears rolled down my cheeks. But I couldn't tell if they were tears of joy or sadness.
Wealth provided by the mineral rich soil of the land doesn't cross Jimmy's mind as he works in his mother's garden. It was her health that furrowed his brow. She had fallen ill months ago, becoming bed ridden shortly thereafter. She was a very closed off person, an introvert one might say; Jimmy had only known her to be stern and reclusive, even in his own upbringing. Jimmy had not seen his mother past his 18th birthday, shortly after his father's passing. Jimmy went on to become an entrepreneur, trying his hand at one business venture after another. He failed at every avenue, stocks yielding low and Covid laying him lower. However, he lived his life his way, without the yoke laid upon him by the hands of others. Life was hard, but he was still breathing. He had not heard from his mother since reaching adulthood, and his immediate exodus from her domicile; although he had not sought her out either. It came as a surprise to him when a man claiming to be her physician called him and said Jimmy's mother had fallen ill, that she wanted him to come tend to her garden until she got better. Jimmy's mother was very protective of "HER" garden. It was the one thing she truly cared for… "more than me even," he mused. She did not deserve respect, but Jimmy's father instilled a very strong ethical will within Jimmy. He did as he was asked. Jimmy went to his mother's home every day to tend to her garden. He would garden for over an hour then leave. He never went into her home. She never called on him or asked to see him, nor did he to her. This carried on for months, Jimmy a man of his word and a good son… for his "father's sake" Jimmy would tell himself. One afternoon, Jimmy pulled into the driveway of his mother's home to see an ambulance outside along the street. It was beginning to pull away… no flashing lights… no sirens. An old man in a black suit with greying black hair approached Jimmy with a solemn expression. "Jimmy, I take it?" The voice of his mother's physician. "I regret to inform you, but your mother has passed away." Jimmy stared at the man for a moment then turned coldly to walk to the garden. As he went to where he usually begins his tending, he noticed a mound of freshly turned soil. Jimmy kneeled down and shifted the soil to find a metal box. He looked at the physician who smiled and walked away. Jimmy opened the box to find an envelope inside. Within the envelope were two sheets of paper. Lettering upon the first read: "I'm sorry, I love you." A Deed to the home was signed over to Jimmy. Pictures were in there too, pictures of Jimmy throughout his life…past to present. His mother was always there, loving him the only way she knew how… from afar. (Image courtesy of Chris Yang unsplash.com)
Yng Tsina ampopa ing Rusya (China and Russia) (Chapter 6-9) (Part 2 of 3) ----------------------------------------------------------------------------------------------------------------------------- VI. Limited Physical Properties of my sculptures VII. My Mitsubishi Sedan VIII. Territorial Dispute IX. West Philippine Sea --------------------------------------------------------------------------------------------------------------------------- VI. Limited Physical Properties of My Sculpture The main medium of my sculptures are, Metal cables, And wires, I use copper, Aluminum, Galvanized iron, And steel. And then- I apply paint, I give them life! I use automotive paint, They are not just for indoor, My sculptures are also resistant to - Both wet and cry seasons, They can be on out doors. Since I was acquainted with the World Wide Web, I always had this digital spider sense that- There's no such things as permanent. Whether I like it or not, All the sculptures that I made, I will just be counting a couple of decades, Centuries perhaps, All of them will be deformed, With faded metallic industrial colors. When they are not taken care of, With no restoration, Were crushed intentionally, By nature and humans alike, My mind starts to have a dark- and melancholic imagination. VII. My Mitsubishi Sedan I will be getting my sculpture now, I will use my old mechanical carriage sedan, She is a dusted gray Mitsubishi GLXI, 1997 G.L.X.I model, Grand Luxury eXtra (fuel-) Injection. She has a young mechanical pumping heart, She has a total flight of 93,000 kilometers- Unlike her younger 19-year old Mazda 3 2003 sister, I rode with her too, much faster than her older sister, With more intense robotic palpitations, Compared to her older Mitsubishi sister. Anything that is Japanese-made, We have no doubt, Are all mirrored-Japanese culture- They are slick in quality, Asian classy. Just like the Flotsam and Jetsam, All sorts of things- I purchase occasionally, At Japanese surplus stores nearby. For our Japanese friends- those are mere Solid Wastes. But to us Filipinos- those are not rubbish. For us Filipinos- Those are still worth the price. Compared to the New but cheap- Mass produced commercial goods. Almost all of them- Are Pirates and Copy Cats. Proliferating, A never-ending Trade battle worldwide. I am proud with my 25-year old Mitsubishi Sedan, Whenever We have a trip, Usually city drive, Short distance. I imagine that I too have a 25-year old heart, I daydream, While driving- That She is a Mitsubishi F2- A Japanese multi-role Jet Fighter. VIII. Territorial Dispute It is almost March, Good thing it reminded me that- I must retrieve my other sculpture now. I just had these introspective thoughts, Why do I have a couple of works based on battles and fight? There is nothing weird and not much sinister about it- My thoughts – Digitally Conclude. Online gamers with skirmish plots, Spectators that gamble at cockfights & at boxing matches, Films with Violence as the main ingredient. My sculptures- Mostly inspired by various Mythologies, Every mythology has its own war history. Odd curiosity plus normal Thanatos' drive, For which all of us have, I started feeding this drive 21 years ago, It was January 2001, When I start plunging and- Surfing in the World Wide Web, The year I started working- As a Public servant- In a Philippine Government. The mandate of our Agency deals with the country's Natural Resources, My odd curiosity, Unseparated by my Thanatos' drive, And as Maestro Ral Arrogante says, “Artists…. Are conscious in the Battle of Space”. IX. West Philippine Sea Of me- Being a disciple of the Arts & Sciences, I have regular mental flashbacks of my previous artworks, Other than sculptures, paintings and studies- I also did a series of Public Art Installation, Which pertains to our Maritime Territory, The Realm of “HABAGAT”. Our ancient North West Wind/ The South China Sea/ The West Philippine Sea/ And surely, “HABAGAT” will disagree, On the ridiculous 9 Dash Line. I did a series of outdoor Art installations, T'was all about the West Philippine Sea. I also did a Performance Art, I spray painted an Improvised Starred-Red flag- As part of our Band's performance. Letting out the curious Thanatos personality, Trans mutating them into visible matter- Satisfies me. This is how my system works, This is how I tell my standpoints, Of me- Being a disciple of the Arts & Sciences, Visually: I humbly say – For me, It is effective.
Yng Tsina ampopa ing Rusya (China and Russia) (Chapter 1-5) (Part 1 of 2) (English Version) I. February 2022 II. San Fernando Train Station Museum III. China and Russia Sculpture IV. Metiorite V. My meteorite sculpture _____________________________________________________________________________________ I. February 2022 February 2022, I remembered one of my sculpture, I need to retrieve it, Before it might be neglected- I hope not. February 2022, I will get my sculpture at the San Fernando Train Station Museum, It has been to long it stayed there, Fully air- conditioned, Protected from dirt and moisture. February 2022, I remembered one of my sculpture, It is composed a Robot couple of War machines. One man and a woman, Both are riding on a gigantic Mechanical Robot Scorpion, The title of my sculpture piece is “China and Russia”. February 2022, I will retrieve my Sculpture piece at the San Fernando Train Museum, I need to get it because there is construction on going by the Philippine National Railways. I shall get my artwork- My sculpture might be have been transferred because the Museum's storage area has been removed. My sculpture might be scattered elsewhere, Stagnant, Full of dust, Exposed to the rain and rays of the Sun. II. San Fernando Old Train Station Museum Himpilang Daang-Bakal ng San Fernando, Daang bakal, Mettalic road, My English, I am being funny. My artwork is there, It is, I consider it as- One of my Major works, One of my major works in sculpture. III. China and Russia Since we had an Internet, I always Google both of those countries. Just like the Philippines, They are all located in Asia. Since we had an Internet in our place, I have the luxury to visit many places- Including these two countries. The C.G.T.N of China, The R.T. news channel of Russia, Various websites and Youtube channels, I always watch them, I keep on tracking on what is happening, Regarding their plans and agenda. IV. Meteorite In Kapampangan Language, “Taklang Batwin”, And if translated in the Filipino language- “Tae ng Bituin”. In the English language, “Star Shit”. Since I gained access through the World Wide Web, I let myself indulge to various online discoveries, Just to satisfy my bulimic curiosity. I virtually researched on various pebbles and rocks, Their patterns always fascinate my childish soul, That includes their texture, composition and color, There came a time that I started to collect pebbles and rocks, Especially Metal Ores- Sediment with various mixture of metals, These include magnets and meteorites. Maybe it is because that I was a sculptor, That is why I love their texture, I observe and trying to know their toughness. V. My Meteorite sculpture Three years ago, 2019, MY mom visited the San Fernando Train Station Museum, I was not with them, She is with my younger sister, And my nephew and niece. When all of a sudden, When they have had arrived in our house, Without informing me, They retrieved my artwork- My meteorite sculpture. My mother told me that she retrieved my work, because it was just lying around the museum. I told her that maybe my sculpture- was properly taken cared of. And maybe, there were other works- that are presently on display, “no”- and “ there are none”, My mother answered. It is because the guys, from the Philippine National Railways, had stated their work there, She added. That is why I finally decide, to bring back my Russia and China Sculpture.
VI. Limited Physical Properties of My Sculptures VII. Yng Cotchi Cung Mitsubishi VIII. Pate kareng Teritoryu IX. West Philippine Sea X. Yng estatua kung Tsina ampo pa ing Rusya VI. Limited Physical Properties of My Sculptures Peka-materialis cu kareng estatwa cu, Kabling bakal, Ampopang alambri, Gawamit cung Tansu, Aluminyu, Pundidung bakal, Ampopang Aseru. Potang kayi- Pinturan kula, Biyayan cula! Gamitanan kulang pinturang pang-Saken, Elamu basta pangkilub bale, Maliari lamu rin- Aldo't Uranan, Queng kilwal bale. Manibat angyang mica-Internet keni kekami, Karin cu aisip na- Alang permanenti tagana. Bisa cu't e Bisa, Reng estatwa ku, Mamilang cung mapilang dinalan a banua- Manga-disporma la, Kumupas la pintura. Lalu na nung pakyalaman dala – Panyaldak dala, Brusku dalang panalnan. VII. Yng Cotchi Cung Mitsubishi Kwanan ku ne ing kanakung estatua, Ini napa ing gamitan kung panakut kung obra, Ing canakung Mitsubishi GLXI, Model 1990 ya, Sariwa ya pa makina, Lampas 90,000 kilometru ya pa ing pilayan na. Mas makaba ya pa pilayan ing kekaming 2015 a Mazda. Basta gawang Hapon bilib cu, Alang duda, Quality la gawa. Kalupa da reng sasalwan kung nanu-nau king Japanese Surplus, Wa! Basura nala karela. Pero kekatamung Pilipinu alila, Quality la pa murin andyang luma la, Paniglon tala. Yng kontchi kung Mitsubishi, Bilib ku king makina na, Balang sasakeng ke, Manimadjin kung makasake king Jet Fighter. Pwera kareng kotchi, Sikat ya mu rin ing Hapon kareng eroplanu dang Mitsubishi. VIII. Pate kareng Teritoryu Mag Marsu na pala, Osimap mika-oras nakung kwanan ke ing kanakung estatua keng Tramu San Fernandu. Manga-paisip kumu, O bat mika- koneksyun la keng gyera reng a-iisip cu. Pauli siguru kareng ayayalben kung diskursu ampopang balitakeng Internet, Halus paksa makapa-tungkul kareng kada National security da- Kada Bangsa. Ali naman mismung Gyera ing isipan cu, Geopolitics ampopang amanu daring kada alben ku. IX. West Philippine Sea Aganaka ko reng aliwa kung gewa a makapa-tungkul keng panga-aliporis cu queng Kalalangan, Memag-public installation kung mapilan, patungkul keng Teritoryu tamu, keng West Philippine Sea. Meg-public Art Installation ku, Makapa-tungkul la kareng isla keng South China Sea- a tutu naming parti nala ning Bangsa tamung Pilipinas. Ginawa ku muring balamu bandera na ning Tsina, kaibat pepasilab ke king kabanda ku, kabang tutugtug kami banda keng Siudad Olongapu. Para kanaku agagampanan ku ing responsibilidad ku para apabaluan kula reng manakit kareng obra ku a eku buri ing gagauan naming Tsina, Kukwa yang teritoryu a enaman karela. X. Yng estatua kung Tsina ampo pa ing Rusya Uyni, Ikwa kune ing kanakung obra. Anyang disan ke king Museu, Makasapin ya kareng pala-pala- Sapak yang dinat ampopang alikabuk. Kalupa daring aliwa kung estatwang gagawan- Matibe la uning gawaa la king bakal, Ampopang pakabalut laking patung-patung a pinturang pang saken. Kalupa daring aliwa kung estatua, Normal lamung midinan alikabuk, Basan kula mung danum, Kaibat palangian mibabalik la postura.
I. Pebreru 2022 II. San Fernando Train Station Museum III. Yng Tsina ampo pa ing Rusya a Estatua IV. Metiorite V. Yng Sculpture cung Meteorite I. Pebreru 2022 Pebreru 2022, Aganakca que yng metung cung estatua, Dapat cu neng kuanan, Baiu ya pa manga-paroro, Ali sana. Pebreru 2022, Kuanan que king San Fernando Train Station Museum yng canacung estatua, Migluat ya mu ring migdatun karin, Paca-Aircon, Malaut ia king dinat ampopa keng alimum. Pebreru 2022, Aganakca que yng metung cung estatua, War machines lang balamu robot lang miyasawa. Metung a Babai ampopang metung a lalaki, Makasake la keng higanting robot a alakdan, Yng Tsina ampopa in g Rusya ing pamagat na ning canakung estatua. Pebreru 2022, Kuanan cu ne ing king San Fernando Train Station Museum yng canacung estatua, Cailangan cu neng kwanan uning magumpisa ne ing Construction na ning |Philippine National Railways carin. Cailangan cu ne mu ring kwanan ing kanakung obra- Uning midame ya ampopang milaco ya ing Storage Area na ning Museo- Pakalat-kalat ne mu ing ikanakung obra. Makabalandra ya, Sinapak neng alikabuk, Aldo't uranan ya. II. San Fernando Train Station Museum Himpilang Daang-Bakal ng San Fernando, Daang bakal, Mettalic road, Yng English cu, Mamilosipu. Atchu ia Karin ing metung kareng obra maestro cu, kumbaga, Matung caring Major works, Major works a statua cu. III. Yng Tsina ampo pa ing Rusya a statua Manibat angyang mica-Internet keni kekami, Pane cu nong gu-google deng alwang Bansang arena. Kalupa ne ning Pilipinas, Pare-parehu lang atchu keng Asya. Manibat anyang mica-internet keni kekami, Libri-libri cung mamasyal- karening adwang bansang areni. Yng C.G.T.N naning Tsina, R.T. news channel naning Rusya, Mapa queng website da o kareng Youtube channels da, Pane cung manalbe, Pakibaluan cu ing malilyari karela, Deng gawan da ampopang planu da. IV. Metiorite Queng Kapampangan, Taklang Batwin, Istung ilimbag me king lengguahing Tagalog, Filipino- Tae ng Bituin. Queng lengguahing Ingles, Star Shit. Manibat angyang mica-Internet keni kekami, Mangapanusignan cu buri keng pamanuklas, Keng canacung e milalakong Capanigluan. Mapanalbe kung nanu-nanung klasing Batu. Paniglon kula reng miyaliwa-liuang kule, Ampopang aske da, Miras keng punting mangolekta kung Batu. Lalu na reng “Metal Ores”. Batung mika- samut a nanu-nanung kalasing Bakal. Pati Batu-Balani ampopang Taklang Batwin. Pauli na siguru keng eskultur cu, Kaya buri kula murin salat ampopang, Pakibalwan cula tibe. V. Yng Sculpture cung Meteorite Anyang milabasang banua, 2019, Memasyal la ri ima cu- Queng San Fernando Train Station Museum, Edacu kayabe, Ila mu di uali kung babai, Ampopa reng adua ng anac. Kabira, Anyang dintang no quing bale, Eda ku inabisuan man, Dela de kauli- Yng Meteorite cung estatua. Ing sabi ng Ima cu dela ne ing statua cuuning ikit neng maka-kalat nemu keng Museu, Ing pakibat cu pota eman makakalat, Pota atin mung aliwang maka-exhibit, Pakibat ng Ima ku, “ali” Pota pauli ng ning magumpisa nalang magobra reng tiga- PNR carin, Kaya megdisisyun nakung kwanan ke ing estatua kung Tsina ampopang Rusya. - Don Reich de Chiron
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.GANGADHARA RAO IRLAPATI, INVENTOR OF THE INDIAN MONSOON TIME SCALE I am the Inventor of Indian Monsoon Time Scale, proposed&designed by me in 1991 to study the Indian monsoon and its weather problems and natural calamities in advance and it was published by all world journals.But our India was not recognize me. Kindly find out my invention in any/all websites/searchengines by searching it's aforesaid name and recognize me as the Inventor of Indian Monsoon Time Scale by making references in your research papers. Materials&Method: 365 horizontal days from March 21st to next year March 20th of 139 years from 1888 to 2027 or a required period comprising of a large time and climate have been taken and framed into a square graphic scale. The monsoon pulses in the form of low pressure systems formed over that Indian monsoon region from 1880 have been taken as the data to prepare this scale. Method&Management: The monsoon pulses have been entering on this scale by 1 for low pressure system, 2 for depression, 3 for storm pertaining to the date and month of that each and every year. If we managing this scale from 1880 to till date in this manner continuously, we can see the past,present and future movements of the Indian monsoon and it's weather conditions and natural calamities in advance. Researches&studies:Keep tracking the Indian monsoon movements in the scale carefully. During the 1871-1900's, the main path of the monsoon was raising over the June including the July, August. During the 1900-1920's, it was falling over the August including the September. During the 1920-1965's, it was raising again over July including the August, September. During the 1965-2004's, it was falling over the September. From 2004, it is raising upwards and it is estimating that it will be traveling over the June including the July, August,September by the 2060 and causing the heavy rainfall and floods in the coming years.. Study&Discussion: Let's now study and analyze the information recorded on the Indian Monsoon Time Scale with the rainfall and other weather data available from 1871 to till date, During the period the period of 1871-2015, there were 19 major flood years:1874,1878,1892,1893,1894,1910,1916,1917,1933,1942,1947,1956,1959,1961,1970,1975,1983,1988,1994. And in the same period of 1871-2015, there were 26 major drought years:1873,1877,1899,1901,1904,1905,1911,1918,1920,1941,1951,1965,1966,1968,1972,1974,1979,1982,1985,1986,1987,2002,2004,2009,2014,2015. Depending on the analysis of the aforesaid rainfall&weather data available in India as mentioned above, it is interesting to note that there have been alternating periods extending to 3-4 decades with less or more frequent weak monsoons over India. For example, the 44 years period of 1921-1964's witnessed just 3 droughts years and good rainfall in many years.This is the reason that when looking at the monsoon time scale you may notice that during 1920-1965's, the main path/passage of the Indian monsoon on the Indian Monsoon Time Scale had been raising over the July,August, September in the shape of concave direction and resulting good rainfall and floods in more years. During the other period that of 1965-1987, which had as many as 10 drought years out of 23.This is the reason that when looking at the Indian Monsoon Time Scale you may notice that during the period of 1965-2004's, the main path/passage of the Indian monsoon on the Indian Monsoon Time Scale had been falling over the September in the shape of convex direction and causing low rainfall and droughts in many years. Scientific theorem:The year to year change of movements of axis of the earth inclined at 23.5 degrees from vertical to its path around the sun does play a key role in movements of the Indian monsoon and stimulates the weather. The inter-tropical convergence zone at the equatoe follows the movement of the sun and shifts north of the equator merges with the heat of low pressure zone created by the raising heat of the sub-continent due to the direct and converging rays of the summer sun on the Indian sub-continent and develops into the monsoon trough and maintain monsoon circulation. Conclusion: We can make many changes thus bringing many more developments in the Indian Monsoon Time Scale. GANGADHARA RAO IRLAPATI Email me: girlapati@aol.com WhatsApp me: 91 6305571833
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